His voice is pure menace, but his eyes and face tell a different story entirely. Bryan Cranston in particular gives his best performance, nailing every scene, even the most difficult one at the end, where Walt has to “act” as if he’s furious with Skyler. And a big part of it is the performances of every single actor on the show.
(Walt falling to the ground with his face in a silent scream, Skyler falling to her knees on the street, blood on her blouse, the knife pointing straight upwards, the bluer-than-blue sky framing Uncle Jack and Walt as Hank looks up at them both, the last thing he ever sees). And part of it is Rian Johnson’s amazing direction, setting up half a dozen iconic shots that will live forever in my memory. And sure, part of it is having a tight, amazing script that doesn’t let up for a single second, darting from one thrilling scene to the next. Maybe that episode is better than Ozymandias.īut for me at least, this was the tops.
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Ooh, a bus full of cancer patients going on a retreat! Yeah!.
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Perhaps there was a really great Very Special Episode of St Elsewhere out there, were the lead doctor guy…let’s call him Phil…learns how to cure cancer but then is hit by a bus. Now I’ll grant, there are many, many hours of television I’ve never seen, so I can’t make this statement definitively. Rest assured, absolutely nobody will be talking about Iron Man 3ten years from now, but new generations will be discovering great art like The Sopranos and Mad Men centuries from now.Īll of which is a bloated and serpentine way of leading up to this, the finest hour of television ever produced. But the beauty of television now is that with a million channels, artists like David Chase, Matthew Weiner, and Vince Gilligan can afford to be niche. And then yes, Breaking Bad. If you add up the total viewership for all those shows together you still wouldn’t come up with even a tenth of the number of people who saw Iron Man 3 this year. And then the floodgates opened, and we got The Wire, Mad Men, Arrested Development, Deadwood, Battlestar Galactica, Curb Your Enthusiasm, Sex and the City, and on and on and on. Which in turn, of course, led to better acting on television shows.
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It also most importantly began to break down the barrier between TV actors and movie actors, allowing more and more A-listers the freedom to “lower” themselves by appearing on the silver screen.
It had top-tier acting, writing, direction-and no commercials, wow! Probably the first television show to really make people step back and reconsider the entire medium was The Sopranos. Certainly, there were great television shows on TV before then, but none of them broke the mold the way The Sopranos did. Pay channels began to crop up, and they could market to a smaller and more discerning audience. In the meantime, the converse began to happen on television. The idea was to appeal to as many ticket purchasers as possible, which led to sanding off the edges of stories, making them more safe and easier to commodify. The experimental days of the 70’s and 90’s ground to a halt, and the big studio moguls didn’t want to take as many chances. It just made sense that movies were better.īut then, something strange happened. People dressed up and went out and paid to see movies whereas TV was on at home all day for free. Movies had bigger budgets, better effects, better actors, just plain better quality of filming and presentation. Movies were long thought to be the superior art form over television, and indeed for the most part that was true. It’s nice to see the boys again when they were grudgingly getting along, before it all went so horribly, horribly awry.īut perhaps this is the time to talk about art forms, and the different mediums in which they’re presented.
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